Claude Oscar Monet – Waterloo Bridge, Sunlight Effect 2
1903. 65×101 cm
Location: Art Institute, Chicago.
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In the background, the iconic silhouette of Big Ben and other London structures are barely discernible through the thick fog, their forms softened and blurred. Wisps of pink and lavender clouds drift across the cool, blue sky, hinting at either a sunrise or sunset. The overall impression is one of a soft, diffused light, characteristic of Monets impressionistic style, where the focus is on capturing the fleeting effects of light and atmosphere rather than precise detail.
The subtext of this painting lies in Monets fascination with capturing the ephemeral nature of light and atmosphere. Londons foggy weather, a frequent subject for him, becomes a medium through which he explores changing perceptions of form and color. The indistinct shapes and muted palette evoke a sense of mystery and tranquility, inviting the viewer to contemplate the scenes beauty through the lens of subjective experience. The painting is a testament to Monets ability to transform a seemingly ordinary urban landscape into a poetic impression of light, air, and mood.