Édouard Manet – The World Exhibition in Paris in 1867
1867. 108x196
Location: National Gallery (Nasjonalgalleriet, Nasjonalmuseet for kunst, arkitektur og design), Oslo.
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Further back, various groups of people are scattered across the grassy slopes and along wooden walkways. On the left, several figures in period dress, including women with parasols, engage in conversation or admire the view. A horse and rider move through the middle ground. The background is dominated by a panoramic view of Paris, characterized by its iconic architecture, including domes and spires, and the grand pavilions of the World Exhibition. A tall column and a hot air balloon are prominent features in the sky above the exhibition grounds. The overall impression is one of a vibrant, modern city celebrating innovation and progress, even as the meticulous details of everyday life are captured in the foreground.
The subtexts of this painting are rich and multifaceted. It offers a snapshot of Parisian life during a period of immense industrial and cultural growth, symbolized by the World Exhibition itself. The presence of the gardener and the boy with the dog highlights the continuity of ordinary life amidst grand spectacles. The painting also implicitly comments on social class through the varying attire of the figures. The broad strokes and impressionistic style contribute to a sense of spontaneity and the fleeting nature of such grand events, while the detailed depiction of the cityscape and the exhibition grounds emphasizes a nation proud of its achievements. The hot air balloon, a symbol of new technology and exploration, adds another layer of meaning, pointing towards the future and the spirit of innovation that the exhibition represented.