Im taking joy in the New Year. Elizabeth Merkuryevna Boehm (Endaurova) (1843-1914)

Here we observe a scene set within a snow-covered landscape. A young boy stands beside a small wooden sled laden with what appear to be sacks or bundles. The composition is dominated by muted earth tones – browns, creams, and whites – reflecting the wintry environment. The boy’s clothing consists of layers designed for warmth: a thick coat, fur-trimmed hat, and sturdy boots. His posture suggests effort; he leans slightly into the pull of the sled, yet his expression conveys a sense of cheerful determination rather than hardship.
The background is sparsely detailed, with only hints of distant structures suggesting a rural setting. The artist has employed loose brushstrokes to depict the snow, creating a texture that evokes both coldness and a certain softness. A handwritten inscription appears in Cyrillic script above the boy’s head; its content remains inaccessible without translation but contributes to the overall sense of cultural specificity.
The paintings subtexts revolve around themes of labor, community, and seasonal celebration. The sled suggests the transport of goods – perhaps provisions for a household or gifts for neighbors – implying an element of shared responsibility and mutual support within a close-knit society. The boy’s youthful exuberance contrasts with the implied work he is performing, hinting at the integration of children into communal tasks and the inherent joy found even in necessary labor.
The overall impression is one of quiet dignity and resilience amidst challenging conditions. It speaks to a tradition where New Years celebrations are intertwined with practical necessities and a sense of collective well-being. The image doesn’t present an idealized vision, but rather captures a moment of everyday life imbued with a subtle warmth and optimism.