In the winter cold every molod2 Elizabeth Merkuryevna Boehm (Endaurova) (1843-1914)

The composition presents two young figures, presumably children, positioned close together against a muted background. Their faces dominate the frame, drawing immediate attention to their expressions and physical condition. Both are bundled in heavy winter clothing – fur hats with drooping brims, thick scarves or shawls wrapped around their necks, and what appears to be coarse outerwear. The color palette is restrained, primarily consisting of earthy tones: browns, grays, and muted reds, contributing to a sense of bleakness and hardship.
The child on the left possesses a gaze that seems both weary and observant; theres an unsettling stillness in their eyes. Their skin appears pale and chapped, suggesting exposure to harsh weather conditions. The child beside them exhibits a more vulnerable expression – lips slightly parted as if about to speak or cry, with eyes conveying a sense of apprehension or quiet distress.
The artist’s brushwork is loose and textured, particularly evident in the rendering of the clothing, which appears worn and patched. This technique reinforces the impression of poverty and deprivation. The close proximity of the children suggests a reliance on one another for comfort and support within an environment that offers little solace.
Subtly, the painting evokes themes of childhood vulnerability, social inequality, and the harsh realities faced by marginalized communities during periods of economic hardship or severe weather. The title, visible at the top and bottom of the composition, reinforces the context of cold and suffering. It is not merely a depiction of winter; it’s an exploration of its impact on those least equipped to endure it. The overall effect is one of poignant realism, prompting reflection on the human cost of adversity.