Silhouette of the book. Tart (St. Petersburg, 1880) 3 Elizabeth Merkuryevna Boehm (Endaurova) (1843-1914)

The drawing presents a vignette of domesticity rendered entirely in silhouette. A child, positioned centrally and kneeling, appears engaged with something held close to their mouth – perhaps food or a small object. Beside them, a dog is similarly bent over, its posture mirroring the child’s action, suggesting shared consumption or interaction. Below these two figures lies a cat, also in a lowered position, seemingly participating in this quiet scene.
The stark contrast between the black silhouettes and the pale background immediately draws attention to the forms themselves. The absence of detail encourages viewers to project their own interpretations onto the subjects. The child’s posture conveys an intimacy and focus; the dogs mirroring action implies companionship and a shared experience, while the cat’s presence adds another layer to this domestic tableau.
The composition is simple yet effective in conveying a sense of quiet contentment and everyday life. The lack of background detail isolates the figures, emphasizing their relationship and creating an atmosphere of intimacy. One might interpret the scene as representing innocence, companionship, or perhaps even a subtle commentary on shared dependence – all three creatures reliant on some unseen source for sustenance or comfort.
The use of silhouette lends a certain timeless quality to the work; it transcends specific details of dress or setting, allowing viewers to connect with the universal themes of childhood, animal companionship, and the simple pleasures found within the domestic sphere. The overall effect is one of gentle observation and understated charm.