Francesco de Mura – Noli Me Tangere
c.1750. oil on copper
Location: Private Collection
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To his left, a female figure kneels in supplication. She is clothed in flowing robes of pale yellow and orange hues, her hands outstretched towards the departing man. Her expression conveys a mixture of longing and reverence, yet theres also an element of restrained sorrow evident in her posture. The artist has emphasized the contrast between her grounded position and the ethereal quality of the male figure’s movement.
Behind them, partially obscured by swirling clouds, are two angelic figures. They appear to be observing the scene with a serene detachment, their presence reinforcing the sacred nature of the event. Their placement in the background creates depth within the painting and draws attention back to the central interaction.
The landscape itself is carefully constructed. A large palm tree anchors the left side of the composition, while a terracotta pot filled with foliage sits on the right. The distant view suggests a Mediterranean coastline, bathed in soft light. This combination of naturalistic detail and idealized scenery contributes to the painting’s overall sense of heightened drama and spiritual significance.
Subtleties within the work hint at deeper meanings. The gesture of rejection by the male figure – the extended arm and averted gaze – implies a deliberate separation, a refusal of physical contact that carries symbolic weight. This action is counterbalanced by the womans desperate plea, creating a visual tension between distance and desire. The presence of the angels suggests divine sanction for this separation, implying a higher purpose beyond human understanding. The overall effect is one of poignant farewell and spiritual transcendence, evoking themes of sacrifice, longing, and the limitations of earthly connection.