Premazzi, Luigi – Types halls of the New Hermitage. Hall of Contemporary Sculpture (2) Hermitage ~ part 10

The drawing presents a vast hall, seemingly within a monumental structure. The perspective is carefully constructed, leading the eye deep into the space and emphasizing its considerable scale. Here we see a series of classical columns supporting a vaulted ceiling, richly ornamented with intricate relief work. The color palette is muted, dominated by warm earth tones – ochre, beige, and brown – which contribute to an atmosphere of solemnity and age.
The hall’s purpose appears to be the display of sculpture. Several marble figures are positioned on pedestals along the walls and in the central area. These sculptures vary in size and pose, but all appear to depict human forms, likely referencing classical mythology or historical figures. The lighting is diffused, creating soft shadows that highlight the contours of both the architecture and the sculptural works.
The artist’s rendering suggests a deliberate attempt to convey not just the physical appearance of the hall, but also its significance as a repository of cultural heritage. The meticulous detail applied to the architectural elements – the capitals of the columns, the coffered ceiling – underscores the grandeur and importance of the space. The arrangement of the sculptures, seemingly arranged for optimal viewing, implies a curated experience intended to educate or inspire the viewer.
A sense of quiet contemplation pervades the scene. There are no visible figures present within the hall itself; it is an empty stage where history and art converge. This absence contributes to a feeling of timelessness, suggesting that the hall has witnessed countless encounters with its displayed treasures. The drawing subtly explores themes of preservation, cultural legacy, and the enduring power of classical ideals.