Hermitage ~ part 10 – Premazzi, Luigi - Mansion of Baron AL Stieglitz. Concert Hall
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
COMMENTS: 1 Ответы
Непередоваемое ощущение гармонии.
You cannot comment Why?
The walls are adorned with elaborate stucco work, incorporating sculpted busts within ornate frames – one prominently positioned above the fireplace mantelpiece. Symmetrical arrangements define the space: paired sconces flank the central fireplace, mirroring each other in their design and placement. A substantial crystal chandelier hangs from the center of the vaulted ceiling, its refracted light adding to the overall sense of grandeur.
A grand piano dominates the view towards the window, suggesting a primary function for this room – musical performance. Several chairs are arranged facing the instrument, indicating seating for an audience or performers. The curtains drawn across the windows suggest privacy and a controlled environment, hinting at exclusive gatherings rather than public displays.
The color palette is restrained, dominated by muted yellows, creams, and golds, which contribute to the feeling of warmth and refinement. The artist’s rendering of light and shadow creates depth and volume, enhancing the impression of spaciousness.
Subtly, the drawing conveys a sense of privilege and social standing. The sheer scale of the room, the quality of materials (crystal, marble, gilded accents), and the implied exclusivity of its use all point to a lifestyle of considerable wealth and leisure. Theres an air of formality, suggesting that this space is intended for carefully orchestrated events rather than casual relaxation. The absence of human figures contributes to this feeling – the room itself becomes the subject, embodying the values and aspirations of those who inhabit it.