Joshua Reynolds – Portrait of Charles Burney
c.1781 oil on canvas
Location: National Art Gallery (Pinacoteca nazionale Bologna), Bologna.
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Here we see a man with a somewhat jovial expression; a slight smile plays upon his lips, suggesting an amiable disposition. His gaze is directed towards the viewer, establishing a direct connection and implying confidence or perhaps even a touch of self-awareness. The elaborate white powdered wig, typical of the period, immediately signals status and adherence to fashionable conventions.
The garments he wears are significant in conveying information about his position. A richly embroidered robe, likely signifying academic rank or an official appointment, drapes over his shoulders. Beneath it is visible a red gown with delicate lace detailing at the collar, further reinforcing notions of authority and refinement. He holds a rolled document, possibly a manuscript or official record, which he supports with one hand; this detail suggests intellectual pursuits or administrative responsibilities.
The color palette is restrained, dominated by creams, whites, reds, and browns. The limited range contributes to the overall sense of formality and dignity. The brushwork appears relatively loose, particularly in the rendering of the robe’s embroidery, suggesting a degree of spontaneity within a formal portrait setting.
Subtly, theres an air of relaxed authority about him. He doesnt appear stiff or overly posed; rather, he seems comfortable in his position and aware of his standing. The slight smile and direct gaze suggest not just power but also approachability – a cultivated persona designed to inspire trust and respect. The overall impression is one of a man who holds a significant place within the social and intellectual landscape of his time.