Francois-Louis Duval. 1816. 20, 4x17. Collection of A. and R. Duval. Geneva Orest Adamovich Kiprensky (1782-1836)

The drawing presents a bust-length portrait of a man, rendered in a muted palette dominated by ochre and grey tones. The subject is positioned centrally within the frame, facing directly towards the viewer with a somewhat contemplative expression. His gaze appears steady, though not overtly engaging; it suggests an interiority rather than outward sociability.
The artist has captured a youthful appearance, evidenced by the smooth skin and relatively unlined features. A full head of tightly curled hair frames his face, adding volume and texture to the composition. The hair’s rendering is particularly noteworthy – the individual curls are suggested with quick, confident strokes, creating a sense of movement and vitality despite the overall subdued color scheme.
He wears what appears to be a dark coat draped over his shoulders, partially obscuring the waistcoat beneath. A white shirt collar and cravat are visible at his neck, indicative of a gentleman’s attire typical of the early nineteenth century. The simplicity of the clothing contributes to an impression of understated elegance and perhaps even modesty.
The background is indistinct, appearing as a warm, neutral tone that allows the subjects figure to remain the focal point. This lack of detail in the backdrop reinforces the emphasis on the individual’s character and presence.
Subtleties within the drawing suggest a possible narrative beyond a simple likeness. The slightly downturned mouth might hint at melancholy or introspection, while the direct gaze could be interpreted as an invitation to understanding. The overall effect is one of quiet dignity and restrained emotion, suggesting a man of intellect and perhaps some degree of reserve. The artist’s choice of materials – the warm paper tone and limited color range – further contributes to this atmosphere of understated solemnity.