Gustav Klimt – Joseph Pembauer
1890, 69х55
Location: Ferdinandeum, Tyrolean Provincial Museum (Das Tiroler Landesmuseum Ferdinandeum), Innsbruck.
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The backdrop is constructed from a series of geometric and symbolic elements arranged around the central figure. A large rectangular panel dominates the upper portion, rendered in a vibrant red hue. Inscribed upon this panel are Roman numerals – “MDCCLXXX” – which immediately introduce a temporal dimension to the work. Above these numerals, the words Anno Domini further solidify the reference to a specific year within a Christian chronology.
Flanking the central figure and extending outwards are architectural motifs reminiscent of ancient Egyptian or Byzantine structures. These stylized columns and friezes are adorned with decorative patterns and hieroglyphic-like symbols, contributing to an atmosphere of antiquity and cultural richness. Scattered throughout the background are celestial elements – stars and what appears to be a lyre – suggesting themes of inspiration, harmony, and perhaps even divine influence.
At the base of the composition, three smaller portraits are arranged in a triangular formation. These figures appear more stylized and less realistically rendered than the central figure, hinting at familial connections or representing aspects of his personal history. A small, almost illegible inscription is visible near the bottom right corner.
The overall effect is one of deliberate artifice and symbolic density. The artist seems to be constructing a portrait that transcends mere representation; it aims to encapsulate a life within a framework of historical context, cultural heritage, and artistic symbolism. The juxtaposition of the formal portrait with these layered elements suggests an exploration of identity – a consideration of how individual existence is shaped by time, tradition, and creative expression. The color palette, dominated by gold, red, and black, reinforces this sense of grandeur and solemnity.