Pietro Berrettini (called Pietro da Cortona) – St. Martina Los Angeles County Museum of Art (LACMA)
Los Angeles County Museum of Art – Pietro Berrettini (called Pietro da Cortona) - St. Martina
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Her attire indicates a person of some standing; she wears an elaborate tunic composed of layers of fabric – a blue base adorned with gold embroidery and trim, over a white undergarment that peeks from beneath the sleeves. A wide yellow sash cinches her waist, further emphasizing the richness of her clothing. The drapery is handled with considerable skill, creating folds and shadows that give volume and texture to the figure. A deep red cloak cascades over one shoulder and drapes across her lap, its color providing a striking contrast against the cooler tones of her tunic.
In her left hand, she holds several tall reeds or stalks of grass, which are arranged vertically and partially obscure the view of her arm. The lighting is focused on her face and upper body, highlighting her delicate features – a slightly parted mouth, soft eyes, and a gentle curve to her nose. The skin tones are rendered with subtle gradations, conveying a sense of realism and vitality.
Beyond the obvious religious symbolism of the halo, several subtexts emerge from the painting’s details. The elaborate clothing suggests nobility or privilege, hinting at a life of comfort before embracing a spiritual path. The reeds held in her hand could be interpreted as symbols of humility, resilience, or perhaps even martyrdom – depending on the narrative they represent within a larger context. The gaze directed towards the viewer establishes an intimate connection, inviting contemplation and potentially suggesting a sense of shared understanding or empathy. The overall effect is one of quiet dignity and serene strength, portraying a figure who embodies both earthly grace and spiritual devotion.