Lev Lagorio – Annibala Fountain in Rocca di Papa near Rome
1859. 178×262
Location: The State Tretyakov Gallery, Moscow (Государственная Третьяковская галерея).
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has employed a muted palette, favoring earthy tones of brown, ochre, and grey, which contribute to an atmosphere of quiet solemnity. Light filters through the sky, illuminating portions of the landscape while leaving others shrouded in shadow. The mountain range looming in the background is rendered with considerable detail, its slopes suggesting both grandeur and permanence. Patches of dense vegetation cling to the hillsides, adding a touch of vibrancy against the otherwise subdued color scheme.
The composition directs attention towards the fountain, which appears as an integral part of the landscape rather than a distinct architectural element. The rider’s presence introduces a human element, but his diminutive size emphasizes the insignificance of individual actions within the context of time and nature. He seems to be absorbed in contemplation or travel, adding a layer of narrative ambiguity.
Subtly embedded within this depiction is an exploration of humanitys relationship with history and the natural world. The fountain itself likely holds historical significance – perhaps linked to ancient Roman presence – and its integration into the landscape suggests a continuity between past and present. The ruggedness of the terrain, coupled with the muted lighting, evokes a sense of melancholy or reflection on the passage of time and the impermanence of human endeavors. The painting does not celebrate triumph but rather invites quiet observation and contemplation of a place steeped in history and surrounded by imposing natural forces.