Isaac Ilyich Levitan – Golden Autumn. 1896
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METAPHYSICS OF AUTUMN
Autumn
Writes elegies no worse than Auden.
Very much
Of Byzantium is in autumn.
More! –
A bush will remind you of
An inextinguishable fire.
And your consciousness will be filled
With the joy of comparison, giving you a taste of depth.
Soon, of course, there will be rains,
Eagerly seeking gold –
You clearly know what lies ahead:
Coal-stained nights.
Dont expect smiles from murky dawns.
Everywhere
Watermelons are sold everywhere.
With greenery, they fill
The gaze.
There is no return to summer –
People know it perfectly well.
Clusters
Of grape meanings.
Guests
Have long been studying calendar dates in the world.
Throw it away!
Dont be sad,
We are moving towards the New Year,
Towards a sparkling snowfall.
With honey, lights will fill every home in the evening.
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The artist employed a loose, textured brushstroke throughout, creating an impressionistic effect that softens the edges of forms and contributes to the overall atmospheric quality. The water reflects the sky above, its surface rendered in varying shades of blue and grey, subtly broken by hints of reflected light. In the distance, a line of trees marks the horizon, their colors muted compared to the foreground’s intensity.
The composition suggests a deliberate attempt to capture not merely a visual representation of nature, but also an emotional response to it. The abundance of yellow – a color often associated with nostalgia and melancholy – hints at themes of transience and the passage of time. The stillness of the water and the absence of human presence contribute to a feeling of solitude and contemplation.
The arrangement of elements suggests a carefully considered balance between light and shadow, warmth and coolness. The bright yellows of the birch trees are offset by the cool blues of the water and sky, creating visual harmony. This interplay of color reinforces the sense of quiet beauty inherent in the scene, evoking a mood that is both serene and subtly poignant.