Luca di Tommè – Madonna and Child Enthroned
~1366. Overall: 58 3/4 x 24 1/4 in., Frame: 59 1/2 x 25 9/16 x 2 11/16 in. Tempera on wood panel
Location: Ponce Museum of Art (Museo de Arte de Ponce), Puerto Rico.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The child, positioned centrally, appears robust and animated in comparison to his mother’s stillness. He wears a vibrant pink tunic and holds a banner bearing inscription. The positioning of the child suggests both dependence and nascent power; he leans into his mother for support while simultaneously asserting himself through gesture and attire.
The background is stark – a gold-colored surface that emphasizes the figures in the foreground, creating a sense of depth and highlighting their importance. The gilded frame further reinforces this effect, lending an air of reverence to the scene.
Subtleties within the painting suggest layers of meaning beyond a simple depiction of motherhood. The dark robes could symbolize humility or mourning, while the child’s bright clothing might represent hope or divine grace. The banner he holds introduces a narrative element, hinting at a larger story that is not explicitly shown. The overall effect is one of quiet dignity and spiritual contemplation, inviting viewers to ponder the relationship between mother and child within a broader religious context.