Luca di Tommè – The Crucifixion
~1365. 41×60 cm, Tempera on linden wood panel
Location: The Samuel H. Kress Collection
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the left of the crucified figure, a group of women are clustered together, their gestures conveying intense grief and distress. One woman, clad in blue, is particularly prominent, her face contorted in anguish while she extends her arms towards the central figure. Another, dressed in yellow, raises her hands heavenward in what appears to be a gesture of supplication or despair. The figures are rendered with elongated proportions and stylized features, characteristic of a particular artistic tradition.
On the right side of the composition, Roman soldiers stand guard, their expressions impassive and detached from the emotional turmoil unfolding before them. One soldier holds a spear, a traditional symbol associated with the crucifixion narrative. A crowd of onlookers is visible in the background, adding to the sense of public spectacle surrounding this event.
The artist employed a limited palette of colors – gold, blue, yellow, red, and earth tones – to create a visually striking effect. The use of gold not only provides a luminous backdrop but also suggests a spiritual or divine significance attached to the scene. The blood dripping from the figure’s wounds is rendered with stark realism, emphasizing the brutality of the event.
Subtly, theres an interplay between the figures gestures and their emotional states. The womens expressions of grief contrast sharply with the soldiers stoicism, highlighting the differing perspectives on this tragic occurrence. The composition suggests a narrative of sacrifice and suffering, inviting contemplation on themes of faith, loss, and redemption. The overall effect is one of intense pathos and solemnity, characteristic of depictions of religious martyrdom.