Mauritshuis – Ferdinand Bol - Portrait of Michiel de Ruyter (1607-1676)
1667, 157×135 cm.
Ferdinand Bol (1616-1680)
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He wears a dark, richly embroidered coat over a cream-colored shirt with an elaborate lace cravat secured by a prominent order or medal. A gold sash is draped across his waist, further signifying status and rank. Leaning against him is a walking stick, casually held but suggesting readiness for action. The man rests his hand on a terrestrial globe, which sits atop a table covered in red fabric. Various navigational instruments are scattered upon the surface of the table – a compass, dividers, and what appears to be a quadrant – alluding to his profession or interests related to exploration and navigation.
Behind him, through an opening framed by heavy crimson draperies adorned with gold tassels, lies a seascape. Several ships are visible on the horizon, rendered in muted tones that suggest distance and activity. A balustrade runs along the lower edge of the painting, providing a visual barrier between the figure and the viewer while also reinforcing the sense of separation and importance associated with him.
The color palette is dominated by dark hues – black, brown, and deep red – which contribute to a somber yet dignified atmosphere. The limited use of brighter colors draws attention to key elements such as the gold embroidery, the white shirt, and the pale complexion of the sitter’s face.
Subtly, the painting conveys themes of power, knowledge, and maritime dominance. The globe and navigational tools symbolize expertise in geography and navigation, while the ships on the horizon hint at a life spent traversing oceans and engaging in naval affairs. The formal attire and confident posture project an image of authority and leadership. The overall effect is one of restrained grandeur, suggesting a man of considerable influence and accomplishment.