Cosmè Tura (Italian, Ferrara ca. 1433–1495 Ferrara) – The Flight into Egypt Metropolitan Museum: part 2

Metropolitan Museum: part 2 – Cosmè Tura (Italian, Ferrara ca. 1433–1495 Ferrara) - The Flight into Egypt
Cosmè Tura (Italian, Ferrara ca. 1433–1495 Ferrara): Cosimo di Domenico di Bonaventura early 1470s; Tempera on wood; Overall, with corners made up, 15 5/8 x 15 1/8 in. (39.7 x 38.4 cm); painted surface, diameter 15 1/4 in. (38.7 cm)

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Metropolitan Museum: part 2 - Swiss Painter, fourth quarter 15th century - A Martyr Saint in the Arena; (reverse) The Beheading of a Martyr Saint

Metropolitan Museum: part 2 - David Teniers the Younger - Shepherds and Sheep

Metropolitan Museum: part 2 - Giovanni Battista Tiepolo - The Battle of Vercellae

Metropolitan Museum: part 2 - Giovanni Battista Tiepolo - Saint Thecla Praying for the Plague-Stricken

Metropolitan Museum: part 2 - Gaspare Traversi - Teasing a Sleeping Girl

Metropolitan Museum: part 2 - Jean François de Troy - The Triumph of Mordecai

Metropolitan Museum: part 2 - Carle Vanloo (French, 1705–1765) - The Picnic after the Hunt

Metropolitan Museum: part 2 - Velázquez (Spanish, Seville 1599–1660 Madrid) - The Supper at Emmaus

Metropolitan Museum: part 2 - Paolo Veronese (Italian, Verona 1528–1588 Venice) - Mars and Venus United by Love

Metropolitan Museum: part 2 - Francisco de Zurbarán - The Young Virgin

Metropolitan Museum: part 2 - Théodore Chassériau - Scene in the Jewish Quarter of Constantine

Metropolitan Museum: part 2 - Marcantonio Franceschini - The Last Communion of Saint Mary of Egypt

Metropolitan Museum: part 2 - Sodoma (Italian, Vercelli 1477–1549 Siena) - Christ Presented to the People (Ecce Homo)

Metropolitan Museum: part 2 - Caravaggio (Italian, Milan or Caravaggio 1571–1610 Porto Ercole) - The Denial of Saint Peter

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The picture has something of this: saint, people, Renaissance, book, baby, man, god, holy, Mary, aura, kneeling, woman, veil, cape, fresco.
Perhaps it’s a painting of a man and a woman holding a baby while a cow grazes in the foreground and a man in the background.

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