Scarsellino (Italian, Ferrarese, ca. 1550–1620) – The Virgin Adored by Saints Metropolitan Museum: part 2

Metropolitan Museum: part 2 – Scarsellino (Italian, Ferrarese, ca. 1550–1620) - The Virgin Adored by Saints
Scarsellino (Italian, Ferrarese, ca. 1550–1620): Ippolito Scarsella ca. 1609; Oil on copper; 19 1/4 x 29 1/4 in. (48.9 x 74.3 cm)

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Metropolitan Museum: part 2 - Sodoma (Italian, Vercelli 1477–1549 Siena) - Christ Presented to the People (Ecce Homo)

Metropolitan Museum: part 2 - Caravaggio (Italian, Milan or Caravaggio 1571–1610 Porto Ercole) - The Denial of Saint Peter

Metropolitan Museum: part 2 - Edgar Degas - Race Horses

Metropolitan Museum: part 2 - Paul Gauguin - Three Tahitian Women

Metropolitan Museum: part 2 - Giovanni di Paolo (Italian, Siena 1398–1482 Siena) - The Mystic Marriage of Saint Catherine of Siena

Metropolitan Museum: part 2 - Nicolas Poussin - The Rest on the Flight into Egypt

Metropolitan Museum: part 2 - Ludovico Carracci - The Lamentation

Metropolitan Museum: part 2 - Richard Parkes Bonington - View near Rouen

Metropolitan Museum: part 2 - Master of the Berswordt Altar - The Flagellation

Metropolitan Museum: part 2 - Attributed to Bernard van Orley - The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l’oeil with Painting of The Man of Sorrows

Metropolitan Museum: part 2 - Pierre-Antoine-Auguste Vafflard - Edward Young (1683–1765) and His Step-Daughter Elizabeth Temple (d. 1736)

Metropolitan Museum: part 2 - Vincent van Gogh - The Potato Peeler (recto: Self-Portrait with a Straw Hat)

Metropolitan Museum: part 2 - Franz Anton Maulbertsch - The Glorification of the Royal Hungarian Saints

Metropolitan Museum: part 2 - James Tissot - Spring Morning

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The picture has something of this: people, group, woman, many, veil, kneeling, man, wear, child, pain, war, position, military, recreation, baby.
Perhaps it’s a painting of a group of people standing in front of.

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