Scarsellino (Italian, Ferrarese, ca. 1550–1620) – The Virgin Adored by Saints Metropolitan Museum: part 2

Metropolitan Museum: part 2 – Scarsellino (Italian, Ferrarese, ca. 1550–1620) - The Virgin Adored by Saints
Scarsellino (Italian, Ferrarese, ca. 1550–1620): Ippolito Scarsella ca. 1609; Oil on copper; 19 1/4 x 29 1/4 in. (48.9 x 74.3 cm)

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Metropolitan Museum: part 2 - Giovanni Battista Tiepolo - The Chariot of Aurora

Metropolitan Museum: part 2 - Henri Fantin-Latour - Summer Flowers

Metropolitan Museum: part 2 - Paul Cézanne - The Fishermen (Fantastic Scene)

Metropolitan Museum: part 2 - Domenico Fetti 1591/92–1623 Venice) - Salvator Mundi

Metropolitan Museum: part 2 - Annibale Carracci - The Burial of Christ

Metropolitan Museum: part 2 - Gerard David - Saint John the Baptist; Saint Francis Receiving the Stigmata

Metropolitan Museum: part 2 - Ludovico Carracci - The Lamentation

Metropolitan Museum: part 2 - Richard Parkes Bonington - View near Rouen

Metropolitan Museum: part 2 - Master of the Berswordt Altar - The Flagellation

Metropolitan Museum: part 2 - Attributed to Bernard van Orley - The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l’oeil with Painting of The Man of Sorrows

Metropolitan Museum: part 2 - Théodore Chassériau - Scene from the Gallic Wars: The Gaul Littavicus, Betraying the Roman Cause, Flees to Gergovie to Support Vercingétorix

Metropolitan Museum: part 2 - François-Joseph Heim - The Sack of Jerusalem by the Romans

Metropolitan Museum: part 2 - Jean-François Millet - Retreat from the Storm

Metropolitan Museum: part 2 - Auguste-Hyacinthe DeBay - The Nation Is in Danger, or the Enrollment of Volunteers at the Place du Palais Royal in July 1792

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The picture has something of this: people, group, woman, many, veil, kneeling, man, wear, child, pain, war, position, military, recreation, baby.
Perhaps it’s a painting of a group of people standing in front of.

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