Théodore Chassériau – Scene from the Gallic Wars: The Gaul Littavicus, Betraying the Roman Cause, Flees to Gergovie to Support Vercingétorix Metropolitan Museum: part 2

Metropolitan Museum: part 2 – Théodore Chassériau - Scene from the Gallic Wars: The Gaul Littavicus, Betraying the Roman Cause, Flees to Gergovie to Support Vercingétorix
Théodore Chassériau: French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris ca. 1838–40; Oil on canvas; 13 1/2 x 17 3/4 in. (34.3 x 45.1 cm)

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Metropolitan Museum: part 2 - Gerard David - Saint John the Baptist; Saint Francis Receiving the Stigmata

Metropolitan Museum: part 2 - Scarsellino (Italian, Ferrarese, ca. 1550–1620) - The Virgin Adored by Saints

Metropolitan Museum: part 2 - Ludovico Carracci - The Lamentation

Metropolitan Museum: part 2 - Richard Parkes Bonington - View near Rouen

Metropolitan Museum: part 2 - Master of the Berswordt Altar - The Flagellation

Metropolitan Museum: part 2 - Attributed to Bernard van Orley - The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l’oeil with Painting of The Man of Sorrows

Metropolitan Museum: part 2 - François-Joseph Heim - The Sack of Jerusalem by the Romans

Metropolitan Museum: part 2 - Jean-François Millet - Retreat from the Storm

Metropolitan Museum: part 2 - Auguste-Hyacinthe DeBay - The Nation Is in Danger, or the Enrollment of Volunteers at the Place du Palais Royal in July 1792

Metropolitan Museum: part 2 - Auguste-Xavier Leprince - Man in Oriental Costume in the Artist’s Studio

Metropolitan Museum: part 2 - Pierre-Antoine-Auguste Vafflard - Edward Young (1683–1765) and His Step-Daughter Elizabeth Temple (d. 1736)

Metropolitan Museum: part 2 - Federico Barocci - Saint Francis

Metropolitan Museum: part 2 - Vincent van Gogh - The Potato Peeler (recto: Self-Portrait with a Straw Hat)

Metropolitan Museum: part 2 - Philippe de Champaigne - The Annunciation

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Perhaps it’s a painting of a man riding on the back of a white horse next to a man laying on the ground in front of a group of other people.

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