National Gallery of Art – Duccio di Buoninsegna - The Nativity with the Prophets Isaiah and Ezekiel
1308/1311. Tempera on single panel, size. Duccio di Buoninsegna (Italian, c. 1255 1318). Credit: Courtesy National Gallery of Art, Washington.
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The two flanking panels feature older men, each holding scrolls. The man on the left is clad in purple robes, his posture suggesting contemplation or pronouncement. He appears aged, with a long beard and furrowed brow. On the right, another figure dressed in blue stands facing forward, also holding scrolls that appear to contain text. His skin tone contrasts sharply with the other figures, indicating potential symbolic significance related to lineage or origin.
The artist’s use of gold leaf for the background creates an otherworldly quality, emphasizing the sacredness of the event. The rendering of faces is characterized by a certain solemnity and idealized beauty, typical of devotional art from this period. The folds in the garments are meticulously detailed, suggesting a focus on both realism and symbolic representation – the blue robes likely signify royalty or divinity.
Subtleties within the scene suggest layers of meaning beyond the immediate depiction of birth. The inclusion of the two figures with scrolls implies a connection to prophecy and divine revelation; their presence serves as a bridge between the Old Testament and the New, foreshadowing the significance of the event unfolding in the central panel. The arrangement of the figures – the woman’s protective posture over the infant, the offering of sustenance – hints at themes of maternal care, sacrifice, and provision. The animals contribute to the overall sense of humility and peace, reinforcing the notion that this momentous occasion occurred within a simple, unassuming setting. The contrast between the dark background and the brightly lit central scene draws the viewer’s eye directly to the core narrative, emphasizing its importance.