National Gallery of Art – Rembrandt van Rijn and Workshop - An Old Lady with a Book
1637. Oil on canvas, 109.7 x 91.5 cm. Rembrandt van Rijn and Workshop (Dutch, 1606 1669). Credit: Courtesy National Gallery of Art, Washington.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see an emphasis on texture and materiality. The woman’s attire consists of a somber black garment accented with fur trim at the cuffs and collar. A prominent, starched white ruff encircles her neck, its crisp folds sharply contrasting with the softer textures of her face and clothing. This detail suggests a certain social standing or adherence to conventional dress codes of the period.
In her lap rests a substantial book, bound in dark leather and secured with a decorative clasp. Her hands are delicately positioned around it; one hand holds a pair of spectacles, while the other gently supports the volume. The presence of the book immediately introduces themes of literacy, learning, and perhaps religious devotion. The spectacles suggest an engagement with textual material that requires focused attention, further reinforcing this intellectual association.
The lighting is carefully orchestrated to highlight key features. A soft light illuminates her face, emphasizing the wrinkles and lines etched by time, while leaving much of the background in shadow. This chiaroscuro effect draws the viewer’s eye to the subjects countenance, inviting contemplation on themes of aging, wisdom, and mortality.
The overall impression is one of restrained emotion and quiet introspection. The woman’s expression is not overtly joyful or sorrowful; rather, it conveys a sense of lived experience and perhaps a gentle resignation. The painting seems to explore the dignity inherent in old age and the enduring power of knowledge and faith. Theres an underlying feeling of solitude, amplified by the dark background and the subjects isolated position within the frame.