Girl with a Doll. 1937 Kuzma Sergeevich Petrov-Vodkin (1878-1939)
Kuzma Sergeevich Petrov-Vodkin – Girl with a Doll. 1937
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Painter: Kuzma Sergeevich Petrov-Vodkin
Petrov Vodkin was a Russian and Soviet artist, writer, and teacher. In his works one often sees the theme of motherhood, which is revealed in two keys - either in the context of holiness, the sublimity of the duty of the mother, who, fulfilling her purpose, becomes equal to the holy, or in the context of naturalness and simplicity, part of life and holy ordinariness. Also in his paintings one often sees children - grabbed with the brush vividly, as if in the midst of a lingering moment, they seem ready in the next moment to snap and flee from the canvas, leaving only the chair or chair on which they were previously seated. "Girl with a Doll" is one such painting.
Description of Kuzma Petrov Vodkin’s painting The Girl with the Doll
Petrov Vodkin was a Russian and Soviet artist, writer, and teacher. In his works one often sees the theme of motherhood, which is revealed in two keys - either in the context of holiness, the sublimity of the duty of the mother, who, fulfilling her purpose, becomes equal to the holy, or in the context of naturalness and simplicity, part of life and holy ordinariness.
Also in his paintings one often sees children - grabbed with the brush vividly, as if in the midst of a lingering moment, they seem ready in the next moment to snap and flee from the canvas, leaving only the chair or chair on which they were previously seated.
"Girl with a Doll" is one such painting. It depicts Tatiana Piletskaya, a famous actress of Soviet cinema, in her childhood years, when no one yet thought that such a future awaited her. Her parents were friends with Petrov-Vodkin - their summer cottages were next door and they maintained good relations.
One day the summer-towners’ children staged an impromptu concert-reading poetry, singing songs, dancing-and Petrov-Vodkin, impressed by the girl’s natural grace, invited her to pose for a portrait. She was seven years old at the time.
They arranged themselves on the veranda. Tata found it difficult to sit, and the artist allowed her to twirl and play with a doll, a doll given to her by her father. When she had to be completely still, Tata would look through the stained-glass window on the veranda, peering through the different panes.
The picture left that summer in warm colors, in the red light on the boards of the veranda. A girl sitting on a chair, wary, bored, looking away - I wish they would let me go sooner! - hugs a doll, which, like many dolls, smiles stupidly from under her mistress’s hand.
Tata is wearing a white lace dress and looks at her from the picture as if she were alive. Now she nods and, having comfortably arranged the doll, runs away from the veranda, laughing gaily.
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The picture has something of this: people, baby, family, famous, portrait, two, son, person, Renaissance, entertainment, child, talent, furniture, fame, pop, woman, necklace.
Perhaps it’s a painting of a little girl sitting in a chair with a doll in her lap and holding.