Pablo Picasso Period of creation: 1889-1907 – 1907 Nu jaune
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a deliberate departure from traditional representational techniques. The figure is not depicted in terms of anatomical accuracy or realistic proportions. Instead, it appears as a collection of planes and angles, with sharp lines defining its contours. These lines are bold and assertive, creating a dynamic visual rhythm that disrupts any sense of stillness or serenity.
The pose itself is ambiguous; the figure seems to be caught mid-movement, perhaps twisting or turning. This contributes to the feeling of instability and fragmentation. The artist has eschewed traditional perspective, flattening the space and denying the viewer a clear spatial relationship with the subject.
Theres an intentional lack of detail in the rendering of facial features; the head is reduced to a series of angular shapes, further emphasizing the figure’s abstraction. This absence of recognizable human expression could be interpreted as a rejection of sentimentality or a deliberate attempt to explore the underlying structure of form rather than its superficial appearance.
The background appears largely undefined, contributing to the sense that the figure exists in a void. The limited tonal range and the emphasis on line over color create an atmosphere of starkness and intensity.
Subtly, one might perceive a commentary on the deconstruction of traditional artistic conventions. The work seems to question established notions of beauty and representation, suggesting a move towards a more conceptual understanding of form and space. It hints at a desire to explore the essential elements of human figure without resorting to mimetic accuracy.