1906 La coiffure Pablo Picasso (1881-1973) Period of creation: 1889-1907

Here we see a domestic scene involving three figures, seemingly young girls or children. The composition is vertically oriented and centers around the act of grooming – specifically, one figure having her hair styled while another observes and a third appears lost in their own world.
The central figure, seated and clad in blue and white garments, holds a hand mirror, intently examining her reflection. This action immediately suggests themes of vanity, self-perception, and perhaps an early introduction to societal expectations surrounding appearance. The light falls upon her face and the mirrors surface, highlighting this focus on visual presentation.
To her left, another figure is actively engaged in styling her hair. Their posture conveys a sense of focused attention, almost reverence, as they manipulate the long strands. This action could be interpreted as nurturing, caregiving, or simply playful interaction between companions. The third figure, positioned to the lower left, appears detached from the grooming ritual. They are seated on what seems like a dark patch of ground, their gaze directed away from the others, suggesting introspection or perhaps a feeling of exclusion. Their nudity contrasts with the clothed figures and adds an element of vulnerability or innocence.
The color palette is dominated by muted earth tones – browns, yellows, and grays – which contribute to a sense of intimacy and quietude. The limited use of brighter colors (the blue in the central figure’s clothing) draws attention to key elements within the scene.
The artists style emphasizes simplified forms and flattened perspective, which lends the work a somewhat stylized quality. There is an absence of detailed rendering; instead, broad strokes and tonal variations define the figures and their surroundings. This approach prioritizes conveying mood and emotion over realistic representation. The composition feels deliberately arranged, suggesting a staged moment rather than a spontaneous observation.
Subtly, the painting hints at themes of childhood innocence, social roles, and the early development of self-awareness. It’s not merely an image of girls getting ready; its a glimpse into a private world where identity is being formed and relationships are unfolding.