1928 Baigneuse2 Pablo Picasso (1881-1973) Period of creation: 1919-1930

The drawing presents a fragmented depiction of what appears to be a female figure draped in fabric, alongside associated objects suggestive of bathing or leisure. The composition is dominated by the voluminous folds of a white cloth, which occupies much of the upper portion and left side of the frame. These folds are rendered with loose, expressive lines, creating a sense of movement and weight despite the lack of color.
To the right of the fabric, a stylized leg is visible, articulated in a manner that emphasizes its geometric form rather than anatomical accuracy. The foot, particularly, is reduced to a series of planes and angles. A vertical element, possibly a supporting pole or part of a larger structure, intersects with the leg, further complicating the spatial relationships within the image.
At the base of the composition rests a spherical object, likely intended as a ball, positioned in front of the leg. A slender, elongated shape extends downwards from the upper portion of the fabric, seemingly connecting to this sphere and adding another layer of visual complexity. The artist’s signature is visible at the bottom right corner.
The drawings subtexts revolve around themes of representation and fragmentation. The figure isnt presented in a conventional, realistic manner; instead, it is deconstructed into its constituent parts, suggesting an interest in exploring form rather than portraying likeness. The use of simplified shapes and overlapping planes creates a sense of ambiguity, challenging the viewer to actively engage with the image and reconstruct its meaning.
The objects associated with the figure – the fabric and the ball – hint at leisure or recreation, but their fragmented presentation disrupts any straightforward narrative interpretation. They become symbolic elements within a larger exploration of form and perception. The overall effect is one of abstraction and intellectual inquiry, inviting contemplation on the nature of representation itself.