1920 Bouteille et raisins Pablo Picasso (1881-1973) Period of creation: 1919-1930

The composition presents a still life rendered in a fractured, geometric style. A bottle dominates the central space, its form deconstructed into angular planes and facets. The artist has employed a limited palette – primarily blues, browns, whites, and greens – applied with distinct linear hatching that emphasizes the fragmented nature of the objects.
The bottle’s surface is not depicted as smooth or continuous; instead, it appears to be constructed from overlapping geometric shapes, some rendered in cool blue tones while others are darker brown. A label affixed to the bottles side displays the word VIN in block lettering, a direct reference to wine. Beneath the bottle, a cluster of grapes is similarly broken down into angular forms and colored with varying shades of green.
The background is divided into several planes, creating a sense of depth through color contrast and overlapping shapes. The use of parallel lines throughout the composition contributes to a feeling of dynamism and visual vibration. There’s an intentional flattening of perspective; spatial relationships are not rendered realistically but rather conveyed through the arrangement of these geometric elements.
The subtexts within this work revolve around themes of perception, representation, and the nature of reality. The fragmentation of objects suggests a questioning of traditional notions of form and appearance. By dismantling recognizable forms into their constituent parts, the artist invites viewers to reconsider how they perceive the world. The inclusion of VIN on the bottle introduces an element of everyday life and consumption, elevating a commonplace object to the level of artistic subject matter. Ultimately, the painting explores the possibilities of representing reality through abstraction and geometric construction.