Pablo Picasso Period of creation: 1931-1942 – 1939 Buste de femme, les bras croisВs derriКre la tИte
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The color palette is restrained; muted pinks and beiges define the flesh tones, contrasted by patches of blue-green that delineate areas of shadow and form. The background is a uniform pale green, which serves to isolate the figure and emphasize its planar structure. There’s an intentional flattening of perspective, denying any sense of depth or spatial recession.
The pose itself carries significant weight. The crossed arms behind the head suggest defensiveness, introspection, or perhaps even a degree of melancholy. Its a gesture that simultaneously shields and reveals, creating a complex interplay between vulnerability and self-protection. The figure’s gaze is directed outward, yet her expression remains ambiguous; it resists easy interpretation.
The deconstruction of form – the breaking down of recognizable anatomical features into geometric planes – suggests an exploration of identity beyond superficial representation. It implies that the artist is interested in conveying something more than a likeness; perhaps an emotional state or psychological complexity. The deliberate distortion and abstraction contribute to a sense of alienation, hinting at themes of isolation and the fragmented nature of modern experience.
The overall effect is one of controlled tension – a balance between geometric precision and expressive gesture. Its a portrait that eschews naturalism in favor of an intellectual and emotional exploration of the human condition.