Pablo Picasso Period of creation: 1931-1942 – 1939 Nu debout et femme assise 1
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To the right stands a seated woman in an ornate chair. She is positioned centrally within the frame, creating a visual anchor for the composition. Her posture is more rigid than that of the standing figure; she sits upright with hands clasped, conveying a sense of formality or restraint. The chair itself appears almost sculptural, its angular lines echoing the geometric distortions present in the figures features. A distinct asymmetry exists between the two women: one stands exposed and seemingly adrift, while the other is contained within the structure of the chair, suggesting a contrast between freedom and confinement.
The color palette is restrained, primarily consisting of grays, browns, and muted ochres. This limited range contributes to an atmosphere of melancholy or somber reflection. The brushwork appears deliberate, with visible strokes adding texture and emphasizing the artist’s hand in the creation of the work.
Subtly, a sense of psychological tension permeates the scene. The figures do not interact directly; their gazes are averted, creating a distance between them that suggests an emotional disconnect. This lack of interaction could be interpreted as a commentary on isolation or fractured relationships. The distorted features and elongated forms contribute to a feeling of unease, hinting at underlying anxieties or psychological complexities. The overall effect is one of quiet drama, inviting contemplation about the human condition and the fragility of interpersonal connections.