1947 BВbВ avec un noeud papillon dans les cheveux Pablo Picasso (1881-1973) Period of creation: 1943-1961

The composition presents a figure rendered in a fractured, geometric style. Here we observe a predominantly female subject seated within what appears to be a stylized chair or architectural framework. The artist employed a palette dominated by blues, whites, and grays, punctuated by earthy browns that define the background structure.
The figure’s face is simplified to essential features: two large eyes, a small nose, and a subtle indication of lips. A distinctive bow tie adorns the head, positioned atop what might be interpreted as a hat or an elaborate hairstyle. This detail introduces a playful, almost theatrical element into the otherwise somber presentation.
The body is deconstructed into planes and angles, disrupting any sense of naturalistic form. Limbs are disjointed, and the torso appears to fold in on itself, creating a feeling of compression and internal tension. The chair or backdrop is similarly fragmented, its vertical supports rendered as broad, rectangular blocks that emphasize the figure’s confinement within a structured environment.
The overall effect suggests an exploration of identity and perception. The fractured form could be interpreted as a representation of psychological fragmentation or a challenge to conventional notions of beauty and representation. The bow tie, while seemingly whimsical, might also function as a symbol of disguise or artificiality, hinting at the constructed nature of identity itself.
The subdued color scheme contributes to a mood of introspection and melancholy. The limited range of hues reinforces the sense of isolation and confinement that permeates the image. There is an absence of depth; the figure appears flattened against the background, further emphasizing its two-dimensionality and symbolic weight. Ultimately, the work seems less concerned with depicting a specific individual than with exploring broader themes of representation, identity, and the human condition through a radical visual language.