1946 Femme nue sur un canapВ Pablo Picasso (1881-1973) Period of creation: 1943-1961

The drawing presents a fragmented depiction of what appears to be a reclining figure on a sofa or bed. The artist has eschewed traditional representational techniques, opting instead for a highly stylized and geometric approach. Forms are broken down into angular planes and sharp edges, creating a sense of deconstruction and abstraction.
Here we see a dominant green form, likely representing the upholstery of the furniture, which is layered over other colors – pinks, purples, yellows, and blues – suggesting an interplay of textures and light. The figure itself is not rendered realistically; instead, it’s suggested through a series of overlapping shapes that hint at the contours of a body without explicitly defining them. A circular element, possibly representing a pillow or part of the head, is positioned centrally within the composition.
The color palette is vibrant and somewhat jarring, contributing to the overall sense of disorientation. The use of thick lines further emphasizes the geometric nature of the forms and creates a distinct visual rhythm across the surface. A handwritten inscription in the upper left corner indicates the date 22 Juin 46, anchoring the work within a specific historical context.
Subtly, the drawing seems to explore themes of fragmentation and reconstruction. The deconstruction of the human form could be interpreted as a reflection of post-war anxieties or a questioning of traditional notions of beauty and representation. The flattened perspective and lack of depth contribute to a sense of isolation and detachment. While the subject matter suggests domesticity – a reclining figure on furniture – the artist’s treatment transforms this familiar scene into something unsettling and enigmatic, prompting viewers to reconsider their assumptions about form, space, and human presence.