1956 TИte de femme- Profil Pablo Picasso (1881-1973) Period of creation: 1943-1961

The artwork presents a female profile rendered in a stylized and fragmented manner. Here we observe a figure viewed in strict side-on perspective, her features abstracted into geometric planes and sharp angles. The color palette is dominated by shades of blue and ochre, with areas of orange providing contrast and highlighting certain contours.
The face itself is not realistically depicted; instead, it’s constructed from overlapping shapes that suggest a sense of deconstruction and reconstruction. The eye, prominent and heavily outlined, draws immediate attention, conveying an intensity or perhaps a veiled melancholy. A strong emphasis on the nose and cheekbone further contributes to the angularity of the portrait.
The head is framed by what appears to be a scarf or headdress, also composed of simplified forms and rendered in lighter tones. This element adds a layer of complexity, potentially suggesting notions of identity, adornment, or cultural significance. The background is a flat, uniform blue, which isolates the figure and intensifies its presence within the composition.
Inscribed at the upper left corner are dates – 30.3.56 and 5.2.57. These notations suggest a period of creation or revision spanning several months, hinting at an ongoing process of artistic exploration. The signature in the lower left corner is rendered with a similar degree of simplification as the rest of the work.
Subtextually, the piece seems to explore themes of perception and representation. The fragmented nature of the portrait challenges conventional notions of beauty and realism, suggesting that identity itself might be fluid or multifaceted. The limited color palette and stark contrasts contribute to an atmosphere of introspection and perhaps a sense of underlying tension. The dates inscribed on the work imply not only a timeline but also a dialogue with time itself – a reflection on the process of creation and the passage of moments.