1954 Jacqueline dans un fauteuil Е bascule Pablo Picasso (1881-1973) Period of creation: 1943-1961

Here we observe a drawing executed in charcoal or graphite on paper. The subject is a seated woman depicted in profile, occupying most of the frame. She rests within a rocking chair, its structure rendered with a deliberate angularity that emphasizes its form and solidity.
The artist’s focus appears to be on capturing an essence rather than meticulous detail. Lines are loose and expressive, creating a sense of immediacy and movement. Shading is used to suggest volume and depth, particularly in the face and the contours of the chair. The womans hair falls loosely around her shoulders, its texture suggested by quick, scribbled marks. Her gaze is directed slightly upwards and outwards, conveying an air of introspection or perhaps a quiet observation of something beyond the immediate view.
The composition’s simplicity contributes to a feeling of intimacy. The rocking chair itself becomes symbolic – it suggests relaxation, contemplation, and a sense of domesticity. The womans posture, relaxed yet alert, implies a moment of private reflection. There is an understated elegance in her bearing, despite the somewhat rough quality of the drawing technique.
The presence of what appears to be writing or markings at the top edge of the paper – dated 7.10.54 – provides contextual information without intruding on the visual narrative. It anchors the work within a specific time frame and hints at its origins as a study or sketch, rather than a finished piece.
Subtly, the drawing conveys a sense of quiet dignity and restrained emotion. The woman is not presented in a theatrical pose; instead, she exists in a moment of stillness, inviting the viewer to contemplate her inner world.