Pablo Picasso Period of creation: 1962-1973 – 1969 Piero Е la presse Е bras
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Below the central figure, a collection of disparate objects are arranged seemingly at random. A circular form floats near a vertical red line, while an oval shape rests on what could be interpreted as a table or platform constructed from angular blocks. Various linear elements – some resembling tools or mechanical parts – intersect and overlap, contributing to a sense of visual complexity and disarray. The artist employed a limited palette, primarily consisting of blues, reds, pinks, and blacks against a pale background, which enhances the starkness and graphic quality of the image.
The work conveys an atmosphere of unsettling stillness. The figure’s gaze suggests observation or perhaps surveillance, while the scattered objects evoke a sense of disruption or abandonment. There is a deliberate lack of spatial depth; elements are flattened and layered, creating a compressed perspective that contributes to the overall feeling of unease.
Subtly, one might perceive an allusion to industrial processes or machinery through the presence of angular shapes and linear forms. The figure’s posture and expression could be interpreted as conveying a sense of isolation or detachment from its surroundings. The arrangement of objects suggests a narrative that remains deliberately ambiguous, inviting multiple interpretations regarding the relationship between the figure and the environment it inhabits. Ultimately, the piece seems to explore themes of alienation, observation, and the potential for disruption within an ordered system.