1964 TИte dhomme 9 Pablo Picasso (1881-1973) Period of creation: 1962-1973

The work presents a fragmented portrait, rendered in a style that prioritizes expressive distortion over realistic representation. Here we see a head, viewed in profile and frontal planes simultaneously, creating a sense of disorientation and fractured identity. The face is predominantly white, serving as a backdrop for the application of bold, non-naturalistic colors.
A vibrant orange defines the right side of the face, encompassing the cheek and extending to suggest a stylized ear. Yellow arcs across the forehead, contributing to the overall feeling of instability and unconventional form. A significant green element dominates the central portion of the composition; it takes the shape of an elongated, almost serpentine curve that bisects the nose and mouth, further disrupting conventional facial symmetry. The eyes are small, circular, and rendered in red, conveying a sense of intensity or perhaps anxiety.
The hair is depicted as a dense cluster of black dots, creating a textural contrast against the smooth white background. These dots appear almost chaotic, adding to the overall feeling of fragmentation. A grey-blue wash provides a muted backdrop, softening the impact of the brighter colors and contributing to an atmosphere of melancholy or introspection.
The subtexts within this work seem to explore themes of psychological complexity and the deconstruction of identity. The disjointed planes and exaggerated features suggest a breakdown of conventional perception, potentially hinting at inner turmoil or a questioning of established norms. The use of color is not descriptive but rather symbolic, evoking emotional responses beyond simple representation. The overall effect is one of unsettling beauty – a portrait that challenges viewers to confront the complexities of human experience through a lens of abstraction and distortion.