1969 Le baiser 4 Pablo Picasso (1881-1973) Period of creation: 1962-1973

The composition presents two figures engaged in a kiss, rendered with a distinctive stylistic approach that prioritizes fragmented forms and expressive distortion. The background is dominated by a vibrant green hue, punctuated by swirling white lines and blue floral motifs which create a sense of dynamism and enclosure around the central subjects.
Here we see the male figure positioned slightly lower than his partner, his face pressed intimately against hers. His features are simplified to essential elements: large, circular eyes with prominent pupils convey an intensity of emotion, while a protruding tongue suggests a passionate embrace. The female figure’s face is similarly stylized, her hair depicted as a cascade of golden curls that frame the composition. Her eyes mirror the exaggerated size and expressiveness of her partners.
The artist employed a limited palette – primarily green, white, black, yellow, and blue – to emphasize the emotional weight of the scene. The brushstrokes are visible, contributing to the painting’s raw and immediate feel. The figures themselves appear flattened, lacking depth or realistic proportions; this contributes to an overall sense of abstraction.
The subtexts within the work seem to explore themes of intimacy and connection through a lens of stylized emotion. The exaggerated features and distorted forms suggest that the artist is less concerned with literal representation than with conveying the intensity of feeling associated with a kiss. The swirling background elements could be interpreted as representing the overwhelming nature of passion or the blurring of boundaries in moments of profound emotional closeness. Theres an element of vulnerability present, conveyed through the exposed necks and simplified forms, suggesting a surrender to the other person. Ultimately, the painting offers a powerful, albeit unconventional, depiction of human connection.