Pablo Picasso Period of creation: 1962-1973 – 1969 Lhomme au casque dor (Rembrandt)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The central figure is rendered through a deconstruction of traditional portraiture. Facial features are abstracted and rearranged; eyes are disproportionately large and positioned asymmetrically, conveying an unsettling gaze. The mouth appears as a series of jagged lines, suggesting distress or perhaps a silent scream. A prominent nose, sharply angled, further contributes to the sense of distortion.
The helmet-like structure surrounding the head is not uniform. It’s composed of geometric planes that intersect and overlap, creating a sense of confinement and rigidity. The use of contrasting colors within this structure – particularly the juxtaposition of blue and red – heightens the visual tension. A yellow form, possibly representing a shoulder or part of an arm, extends from the figures side, adding to the overall feeling of disarray.
The artist’s choice to depict the subject in such a fractured manner suggests themes of psychological turmoil, alienation, and perhaps even oppression. The helmet could be interpreted as a symbol of societal constraints or internal struggles that obscure identity. The distorted features evoke a sense of dehumanization, hinting at a loss of individuality within a larger system.
Theres an ambiguity inherent in the work; it resists easy interpretation. While the figure’s posture and expression convey suffering, the overall effect is not one of straightforward despair but rather a complex exploration of vulnerability and resilience in the face of adversity. The deliberate fragmentation challenges conventional notions of beauty and representation, inviting viewers to confront uncomfortable truths about the human condition.