Ilya Repin – Leo Tolstoy reading
1891.
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The man’s posture conveys relaxation and absorption; he leans back against the cushions, his legs casually draped over the edge of the sofa. He holds a book open in front of him, his gaze fixed on the pages. The details of the text are indistinct, which shifts focus away from the specific content and towards the general experience of reading.
To the left of the figure sits a small table, upon which rests a partially visible arrangement of objects – likely writing implements or personal items. These elements suggest an environment conducive to intellectual pursuits. The floorboards are sketched with quick strokes, adding texture and grounding the scene in a domestic setting.
The drawing’s monochromatic palette reinforces its intimate and informal character. The absence of color directs attention to the interplay of light and shadow, which defines form and creates depth. The artists use of shading emphasizes the contours of the man’s face and body, while also softening the edges of the sofa cushions.
Subtly, there is a sense of solitude conveyed by the composition. While the setting implies a comfortable domesticity, the figure appears isolated in his reading. This could be interpreted as an exploration of the individuals relationship to knowledge or a commentary on the solitary nature of creative work. The drawing doesn’t offer explicit narrative; instead, it invites contemplation about the act of reading and its impact on the individual.