Rabbi Raphael Haijm Isaac Karigal Samuel King (?-1860)

The portrait presents a man in formal attire, viewed from the chest upwards. He is positioned against a dark, indistinct background that emphasizes his figure and clothing. The subjects gaze is directed towards the viewer, conveying a sense of directness and perhaps authority.
He wears a large, black ceremonial hat, its shape suggesting a traditional Jewish head covering. This detail immediately signals religious significance. Beneath the hat, his face is rendered with careful attention to detail; the artist has captured subtle nuances in skin tone and facial structure. A neatly trimmed beard and mustache frame his face, contributing to an overall impression of dignity and maturity.
The man’s clothing consists of a vibrant red garment, possibly a robe or cloak, which drapes across his shoulders and chest. The rich color contrasts sharply with the dark background and draws attention to his status. A white collar is visible at the neckline, providing another point of contrast and adding to the formality of the presentation.
In his left hand, he holds what appears to be a book, its spine visible but the title obscured. This detail suggests scholarship or religious learning, reinforcing the subject’s intellectual standing. The placement of the hand is somewhat awkward, as if hastily arranged, which introduces a slight element of informality into an otherwise rigid composition.
A small plaque in the upper right corner bears text that appears to identify the individual and date the work (1732). The script style suggests a deliberate attempt at formality and permanence.
The painting’s overall tone is one of solemnity and reverence. While the artists technique displays certain limitations – the brushwork appears somewhat rough, and the background lacks depth – it nonetheless succeeds in conveying an image of a respected figure within his community. The composition suggests a desire to memorialize the subject, likely for posterity or as a testament to his importance.