Wolf and the shepherds. 1898 Valentin Serov (1865-1911)

The drawing presents a scene centered around a damaged enclosure and the presence of a wolf. The composition is dominated by a chaotic arrangement of splintered wood, suggesting a hastily constructed or violently breached barrier. These fragments are rendered with quick, agitated lines that convey a sense of disruption and potential danger.
A large canine figure, presumably the wolf, occupies the left side of the frame. Its posture indicates movement – it appears to be either emerging from or returning to the enclosure. The artist has emphasized its bulk through dense shading, creating an impression of power and menace. A smaller animal, likely a sheep, is visible huddled near the back of the damaged structure, adding another layer to the narrative.
The drawing’s monochromatic palette and sketchy execution contribute to a feeling of immediacy and raw observation. The lack of detailed rendering focuses attention on the essential elements: the broken fence, the wolfs presence, and the vulnerable sheep. This stylistic choice suggests an interest in capturing a fleeting moment, perhaps emphasizing the vulnerability of domestic life against the unpredictable forces of nature.
The placement of dates – сч and 2. ч. 6. – in the lower corners indicates that this is likely a preparatory sketch or study rather than a finished work. The inscription also suggests a personal record, possibly documenting an event witnessed by the artist. Subtly, the drawing evokes themes of predation, vulnerability, and the precariousness of human control over the natural world.