Dessin dillustration pour Mademoiselle de Maupin, de Theophile Gauthier Sergey Sergeyevich Solomko (1867-1928)

The drawing presents a reclining female figure occupying nearly the entire frame. She is depicted from a high-angle perspective, emphasizing the curve of her back and the expanse of her body. The artist employed a technique that relies heavily on cross-hatching and stippling to render form and suggest tonal variations; this creates an impression of texture and depth despite the monochromatic palette.
The woman’s hair is rendered in dense, swirling strokes, obscuring part of her face and contributing to a sense of languidness or perhaps even disorientation. Her left arm is bent at the elbow, with her hand resting near her head, while her right arm extends along her body, slightly flexed. The pose suggests relaxation, but also a certain vulnerability.
The composition’s simplicity directs attention to the figures physicality. There are no discernible surroundings or contextual elements; she exists in an undefined space. This isolation contributes to a sense of introspection and detachment.
Given its association with a literary work exploring themes of gender roles, identity, and performance, one might interpret this drawing as representing a moment of quiet contemplation within a narrative that likely involves complex social interactions and shifting identities. The woman’s pose could be read as an embodiment of both passivity and agency – a figure simultaneously presented for observation and engaged in her own internal world. The lack of detail regarding facial expression leaves room for multiple interpretations, allowing the viewer to project their own understanding onto the subject.