Le sang rouge de Garibaldi Sergey Sergeyevich Solomko (1867-1928)

The composition presents a group of soldiers advancing through a sparsely wooded area, rendered in a style reminiscent of early twentieth-century illustration or propaganda. The foreground is dominated by a central figure, his mouth open in what appears to be either a shout or a cry, gripping a rifle with determined intensity. He wears a distinctive cap and military uniform, suggesting an affiliation with a specific national identity. His posture conveys urgency and readiness for action.
Behind him, other soldiers follow, their faces partially obscured by shadow or distance, yet maintaining the same forward momentum. The artist has employed a limited palette of earth tones – browns, greens, and grays – punctuated by the darker blues and blacks of the uniforms. This restricted color range contributes to a somber and serious atmosphere. Light falls unevenly on the scene, highlighting the central figure while leaving portions of the background in relative obscurity, which draws attention to his role as the focal point.
The landscape itself is understated; it serves primarily as a backdrop for the military procession rather than possessing intrinsic artistic merit. The trees are bare, suggesting a season of dormancy or hardship, potentially symbolizing the challenges faced by these soldiers.
Beneath the image, text in French identifies the work and provides dates (October 1914 – May 1915) alongside phrases referencing precursors and an “Italo-French alliance.” This inscription immediately contextualizes the scene within a specific historical timeframe – likely related to World War I – and highlights the collaborative effort between Italy and France. The inclusion of the French flag reinforces this connection, suggesting a shared purpose or cause.
The overall effect is one of patriotic fervor and military readiness. It’s likely intended as a motivational piece, designed to inspire support for the war effort by portraying soldiers as resolute and united in their commitment. The figures expressive face and dynamic posture are key elements in conveying this message, while the historical context provided by the text anchors the image within a larger narrative of international conflict and alliance.