The Moscow Exhibition Halls Association invites you to exhibitions by March 8

The Moscow Exhibition Halls Association has prepared a program of projects for exhibition halls planned and scheduled for March 8. Among them are exhibitions, concerts, and master classes.

Flea Gather “Give Girls VINTAGE”

The project of the State Exhibition Hall "Peresvetov Lane"

March 8 from 12.00 to 19.00

European weekend flea market in the space of the Exhibition Hall. The Flea Gathering project has been successfully running since the end of 2013, invariably gathering a large audience.

What can please a woman more than diamonds? Of course, magnificent vintage jewelry of famous brands, which grow in time in price on a level with stones! In addition, at Flea Gathering you will find: antique perfumes, elegant vintage handbags, antique porcelain, collectible Soviet toys, antique postcards, kerosene lamps, antique books, antique watches, antique dishes, interior items and furniture from Europe… And many other valuable gizmos.

The festive market will be held on March 8 from 12.00 to 19.00 - do not miss the chance to please yourself and your loved ones!

m. Avtozavodskaya, Peresvetov lane., 4/1. (495) 675-22-28

"Maslenitsa. Fun and fun

Exhibition Hall "XXI Century Gallery"

February 26 - March 20, 2014.

Shrovetide - the national holiday cycle - is an excellent occasion to talk about traditions and modernity.

The exposition presents old rustic painted wooden chests and sledges from the collection of the Open Collection Foundation. As well as patchwork panels, items of traditional and modern designer clothes, art objects made by the craftsmen of the Club Club "Red Sundress".

The Open Collection Foundation was founded on January 1, 2005. The goals of the Fund are the revival of the cultural heritage of Russia and the popularization of traditional types of painting and woodcarving in the Russian North.

Chests provided by the Open Collection Foundation for the exhibition, of different sizes, colors and murals. V. Dahl’s dictionary defines a chest as “a free box, with a lid on hinges, usually with a lock, often chained and with brackets”.

The chest has been used in a wide variety of cultures since ancient times. It was often the main and universal piece of furniture. Could play the role of a table, chair, bed, and, of course, directly storage of clothes, household items, valuables. The chest is the forerunner and prototype of the cabinet. Placed vertically, he began to have two doors, drawers.

The chest was perceived not only as a purely utilitarian thing, but also as an element of the decoration of the home, which, in turn, formed the main ways of decorative decoration of such products, which changed depending on the artistic tastes of society and fashion.

Club-workshop "Red Sundress" appeared in 2000.

Today there are 30 craftswomen in it, united by an interest in Russian patchwork. The club-workshop "Red Sundress" is led by artist Elena Voronova, who is confident that "glamor is tired and a turn to tradition in costume and everyday life is simply inevitable."

Craftswomen of the club make patchwork designer clothes (sarafans, costumes, wraps), fantastically inventive hats (albeit based on traditional ones), sew bags from rags, make patchwork toys. Chintz remains your favorite, allowing you to best show your imagination and making the costume elegant and fun. But the club also has a stylish jeans collection of flaps that transforms the jeans standard to individual beauty.

The artists of the “Red Sundress” do not imitate, but they develop folk art, studying not just patchwork technique, but the world-space of Russian people, using the symbolic language of folk culture.

Address: Kremenchugskaya street, building 22 (metro Slavyanskiy boulevard), tel. 8 (499) 445-1650

"ARTISTS OF THE MAGAZINE" GROWTH "

January 23 - March 9

The Ark Exhibition Hall will for the first time show drawings stored in a private collection for the Rost magazine, which was published in Moscow in 1930-1934. Among the authors of "Growth" - Yuri Pimenov, Peter Karachentsov, Alexander Zhitomirsky and other famous and little-known masters of graphic art.

The magazine "Growth" was published in Moscow from 1930 to 1934. At first, on its covers, made, as a rule, in the technique of a photographic collage, the abbreviation RAPP appeared next to the name. As Leopold Averbach, executive secretary of the RAAP wrote in 1931, “Our mass organ, Rost, should be a new type of rapp magazine. His tasks are to popularize and fight for Rapp’s attitudes in the demands of the cultural revolution, to acquaint the broadest circles of proletarian writers with proletarian literature, to nominate and educate new cadres. ”

Arose in the mid-1920s and liquidated in April 1932, the Russian Association of Proletarian Writers (RAPP) went down in history as an ideologically purposeful association, which sought to "help the proletariat gain a leading role on the front of cultural and literary construction." However, pretty soon its members were accused of “group activity, elements of sectarianism and isolation, an exaggerated idea of their role” and even “replacing the party line in literature with the concept of the“ general line of the RAAP ”. However, the organizers of the exhibition do not set out to understand the intricacies of the literary and political life of the first half of the 1930s - and it is impossible to do this in the framework of the exhibition project. It’s enough to recall that the writer Vladimir Kirshon (the author of the poem “I Asked Ash…” widely known today), who took an active part in the work of the Rosta editorial office as a responsible editor, who once had a hand in persecuting Mikhail Bulgakov, himself He was accused of Trotskyism and shot in 1938. “We tried in our magazine,” Kirshon wrote about working at Rost, “all the time to combine material for a working reader, to give him literary collections, to cover radio and movie issues, to introduce him to dramatic works. It should be noted that we found forms of work that are used for the first time in our magazine, for example: a film rally, a radio rally, a roll call of chefs with sponsored ones, a review of the work of Osoaviahim… “Growth” should familiarize this cultural working reader with questions in the most popular way literature, art, should raise cultural issues. ”

In “Rosta”, in addition to “creative young writers” (as one of the magazine collections was called), Yuri Libedinsky, Alexander Fadeev, Ilya Ilf and Evgeny Petrov, Andrey Platonov, Demyan Bedny, Alexander Afinogenov, Maxim Gorky, Veniamin Kaverin were published over the years, Marietta Shaginyan, Boris Shergin, Alexey Novikov-Priboy and many other authors. No less representative was the graphic series: despite the laconic presence of color only on its cover, "Growth" was an extensively illustrated magazine. Dozens of artists worked for this publication, making strip and half-strip illustrations, inserts into the text, as well as drawing headlines. Among the regular illustrators of Rosta - Yuri Pimenov, Petr Karachentsov, Nikolay Gatilov, Nikolai Kogout, Naum Tseytlin, Vladimir Kozlinsky, Alexander Zhitomirsky… The uniqueness of the first private collection exhibited (its holder preferred to remain unknown to the general public) - in the fullness of the graphic compilation compiled by from the drawings made by these and other authors for the magazine "Growth" in 1930 - 1934.

Exhibition Hall "Ark" (12 Nemchinova St., phone: + 7-499-977-00-44)