"Talents and Admirers" by Alexander Ostrovsky, summary Automatic translate

Written in 1881, this comedy depicts the harsh underbelly of provincial theater, where grinding poverty forces actors to compromise their consciences for the sake of mere survival. A young actress faces a choice between honest poverty with her beloved and the comfortable life of a wealthy landowner’s mistress. The text is completely devoid of illusions regarding the nature of artistic success. The dependence of talent on the audience’s money is shown with utmost openness and frankness.

The work has been adapted into several acclaimed television and film adaptations. The most notable version was released in 1973 — directed by Isidor Annensky, the film of the same name brought together a galaxy of Soviet film stars and faithfully captured the original text’s haunting atmosphere.

Negina’s apartment and the intrigues of patrons

Provincial actress Alexandra Nikolaevna Negina lives in a very poor apartment with her mother, Domna Panteleevna. The women suffer constantly from poverty, scraping by on odd jobs and poor box office returns. Domna Panteleevna discusses her accumulated debts with former impresario Martyn Prokofich Narokov. This educated gentleman had previously spent his considerable fortune on his boundless love of art. Now the old man is forced to serve as a humble assistant director to his former scribe, Gavrila Migaev. Narokov sincerely worships Negina, rewriting her roles on beautiful paper with pink ribbons and often exclaiming about an imaginary dagger in his chest. He is outraged by her intention to marry the poor student Pyotr Yegorych Meluzov.

Soon, Prince Irakli Dulebov, a nobleman, and Grigory Bakin, a provincial official, arrive at the house. Prince Dulebov openly offers Negina the chance to become his mistress. The old man arrogantly promises to move her into a spacious, luxurious apartment in exchange for her favor. The girl weeps bitterly at this insult and begs the prince to leave immediately. Enraged by her refusal, Dulebov threatens to completely disrupt her upcoming benefit performance.

A little later, the more experienced actress Nina Smelskaya and the incredibly wealthy landowner Ivan Semyonovich Velikatov appear. Velikatov behaves with extreme modesty and delicacy. He gifts Negina and Smelskaya expensive fabrics for new outfits. The landowner invites the girls to ride thoroughbred horses and dine with the entire troupe. Negina agrees to go, despite the strong objections of her fiancé, Meluzov. The student attempts to teach the actress grammar and the principles of honest living, regularly demanding a verbal confession from his bride. However, the girl is morally crushed by her debts and the upcoming benefit performance.

Theatrical conflict and unexpected salvation

The events shift to a city garden near an old wooden theater. The troupe’s director, Gavrilo Petrovich Migaev, willingly submits to Dulebov’s vengeful will. The impresario schedules Negina’s benefit performance for the extremely unfavorable last day of the fair, strips her of her leading roles before the closing ceremony, and flatly refuses to renew her contract. In despair, Negina realizes the impending collapse of her theatrical career. The prince openly triumphs, boasting of his enormous power over the rebellious actress.

The drunken tragedian Erast Gromilov wanders the garden paths. He constantly searches for the young merchant Vasya to pay for his drinks and loudly curses Migaev in an Ethiopian voice. Smelskaya whispers to Negina about the difficulty of choosing between the vengeful old prince and the wealthy Velikatov. Meluzov engages in an open verbal altercation with Migaev, appealing to the director’s conscience in front of the audience. The impresario cynically ignores his opponent’s moral arguments. Gavrilo Petrovich is accustomed to catering exclusively to the whims of wealthy patrons in the stalls.

At this tense moment, Velikatov boldly intervenes. The landowner publicly offers to buy out every single ticket to Negina’s benefit concert for five hundred rubles. The young merchant Vasya attempts to outbid him, but quickly yields. Velikatov’s generous gesture instantly saves the young actress from public disgrace. The girl fervently thanks her unexpected rescuer. Dulebov and Bakin are stunned by the financial scale of the events. Meluzov watches silently, unable to provide any financial support for his bride.

The actress’s triumph and agonizing choice

The performance is a resounding success. Late that evening, Velikatov stops by Negina’s home. He brings home a huge sum of money and gives Domna Pantelevna a very expensive shawl. The landowner vividly tells the old woman about his luxurious estate, his trained white turkeys, and the swans swimming on the lake. Domna Pantelevna is indescribably delighted by her gracious visitor.

Negina returns, exhausted after the standing ovation. Old Narokov brings her flowers from admirers and his naive hand-written love poems. The actress reads two letters she left behind. In a short note, Meluzov admires the warmth of her performance and invites her to a secret rendezvous in the garden. Velikatov’s letter contains a direct declaration of love. The landowner invites the actress to move to his estate, become the full-fledged mistress of the palace, and then shine brilliantly on the stage of a southern theater.

Alexandra Nikolaevna is in profound disarray. She soberly assesses the hopeless gravity of her family’s situation. She tearfully refuses to be a noble heroine and forever endure humiliating poverty. Her soul is desperately drawn to Petya, but an uncontrollable passion for the stage outweighs everything else. The cheerful Vasya and Gromilov suddenly burst into the actress’s room, forcing the women to drink champagne. Then Bakin brazenly enters the house, wanting to spend the night and intentionally compromise Negina. Meluzov returns from the garden and harshly throws out the insolent official, threatening to throw him out the window. The actress spends her final farewell night with her fiancé, still hesitant to reveal her final choice to him.

Farewell at the station

The next day, the entire theater company gathers in the train station waiting room. Negina hastily and secretly leaves her hometown. Velikatov arranges a special, comfortable family carriage with the conductor in advance. In front of his acquaintances, the cunning landowner pretends he’s simply come to see the women off on the train. With this well-thought-out maneuver, he cleverly avoids any dirty gossip from Bakin and Dulebov. Everyone drinks wine to celebrate their departure. Domna Panteleevna fussily orders the station workers as they load their belongings. Smelskaya immediately figures out Velikatov’s ruse with the carriage.

Narokov and Meluzov desperately rush to the train station. The eccentric old man Narokov pawns his expensive watch to the merchant Vasya to buy wine. He delivers a long, touching toast to Negina’s undeniable talent. Kneeling right there at the station, Narokov recites poetry and bursts into tears, kissing the hands of the departing artist.

Left alone with Meluzov for a few minutes, Negina confesses everything frankly. She quietly explains her actions as weakness and a fanatical love for the theater. The stage is far more valuable to her than the high moral ideals of a poor student. The tearful girl gives her ex-fiancé a severed lock of her hair and asks him to turn to her for financial assistance.

The locomotive whistles, and the train speeds away. A devastated Meluzov listens to Bakin’s caustic taunts, who gleefully advises him to shoot himself out of grief. The student retains his full human dignity. He delivers a passionate speech about the simple joys of poor workers who sincerely value science and civilization. Meluzov firmly promises to continue his work as a village teacher until the very end, tirelessly educating the people and ruthlessly combating the well-fed corrupters of souls.