Books 
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"First Cavalry" by Valentin Yezhov, summary
Valentin Yezhov’s work describes the combat history of a cavalry unit during the Russian Civil War. The text was written in the early 1980s. The book’s most remarkable feature is the realistic depiction of everyday scenes.
A summary of "Portrait of My Father" by Vadim Trunin
The text was written by a Soviet screenwriter in the second half of the twentieth century. The work tells the coming-of-age story of a Siberian boy, Kolya Burlakov. The book’s most important detail—the search for his father’s roots—takes place against the backdrop of the harsh life of workers in the taiga and tundra.
"The Longest Straw" by Grigory Kanovich and Saulius Shaltenis, summary
Grigory Kanovich and Saulius Šaltenis’s film novella was created in the early 1980s. The work immerses readers in the harsh reality of the first post-war years in Latvia. The authors convey an atmosphere of widespread suspicion and difficult choices against the backdrop of a devastated world.
Screenplay "Bumbarash" by Evgeny Mitko, summary
The work is based on Arkady Gaidar’s unfinished novella "Talisman" and the writer’s early short storiesThe screenplay was written in 1971. The most remarkable detail of the text is the seamless unification of Gaidar’s disparate stories around the division named after the Storming of the Bastille by the Paris Communards.
"Burn, burn, my star..." by Yuliy Dunskoy, summary
The action takes place during the Civil War and depicts an attempt to create a "revolutionary" traveling theater in a provincial town, where power and morals change faster than the scenery can be replaced.
"The Legend of Princess Olga" by Yuri Ilyenko, summary
The work was created in 1983 as the literary basis for a film. The text tells the ruler’s life story through the memoirs of three different people: a monk, a housekeeper, and her grandson.
"Every Tenth" by Yuliy Dunsky, summary
The literary screenplay "Every Tenth" was created by Yuli Dunsky and Valery Frid in the early 1980s. The work vividly depicts the harsh events of the Civil War in Siberia in the autumn of 1919.
"Welcome or No Trespassing!" by Ilya Nusinov and Semyon Lungin, summary
This play by Ilya Nusinov and Semyon Lungin depicts events at a strict pioneer camp, illustrating the open conflict between the children’s group and the local administration. Written in 1964, the play
"The Wish Machine (screenplay). Option 2" by Arkady and Boris Strugatsky, summary
The Strugatsky brothers’ 1979 screenplay is a variation on the plot that inspired Andrei Tarkovsky’s cult film, "Stalker."
"Striped Flight" by Alexei Kapler, summary
The screenplay for this eccentric comedy was written in 1961. The plot revolves around events aboard a Soviet cargo ship transporting a shipment of predators.
Screenplay "Wizards" by Arkady and Boris Strugatsky, summary
This original screenplay by the Strugatsky brothers, which shares plot similarities with their novella "Monday Begins on Saturday," differs significantly in plot and emphasis.
"Aliens Resurrection" by Joss Whedon, summary
The screenplay for Aliens: Resurrection, written by Joss Whedon in 1997, is a dark science fiction story exploring themes of genetic engineering and transhumanismA key feature of the text is its shift in focus from classic survival to biological fusion: the protagonist, Ellen Ripley, is brought back to life not as a human, but as a genetic hybrid with a xenomorph.
Linda Seger’s "How to Make a Good Screenplay Great" Summary
Linda Seger authored a seminal work on the practicalities of transforming rough drafts into professional screenplays. Written in the 1980s, the book quickly became a cult classic among Hollywood filmmakers.
"Monday Begins on Saturday. Screenplay" by Arkady and Boris Strugatsky, summary
The screenplay is based on the Strugatsky brothers’ novella of the same name, written in the 1960s. The work depicts the clash of the Soviet scientific and technical intelligentsia with the world of magic and Russian folklore.
Xenophon’s "Feast", summary
This work, which belongs to the genre of Socratic dialogue, was created by the ancient Greek writer and historian Xenophon sometime after 380 BCThe author recorded his recollections of a friendly meeting that took place in 421 BC. The text is valuable for demonstrating the "lighter" side of the life of Socrates and his circle, in contrast to more rigorous philosophical treatises, describing the behavior of noblemen during leisure and entertainment.