Alexander Naledin. "The Science of Love Today"

“There are no more gods, man has become a god,
But without love this god is a cripple from cripples ”

Arthur Rimbaud. "The sun and the flesh."

Love is a philosophical category, references to which have arisen since the inception of mankind.

In this exposition, love is the leitmotif that unites all the presented works created over the period of several years.

Love as a point of view from which one can consider the process of the course of life.

Love as the most subtle and acute state of a person’s soul.

Love as the only sensible reaction to the outside world, but, unfortunately, the most vulnerable.

The main conceptual line of the exhibition is the dominance of the title of the work over its graphic display. Thus, the exhibition is a series of philosophical theses with illustrations for each of them.

Some of the works that meet the theme of this exposition are borrowed from the material for the exhibition “The Time of the Great Clownery” dedicated to the postmodern era.

Biography:

Born in 1986 in the artist’s family. In 2011, he received a master’s degree in architecture at the Samara State University of Architecture and Civil Engineering. He took part in a number of Russian and European exhibitions of contemporary art:

Participation in the exhibition “Alice. Images and paradoxes of Lewis Carroll ”/ V-Concept Gallery / St. Petersburg / 2014;

Participation in the final exhibition of the contest “The Muse Must Work” / ART Cluster creative muse / St. Petersburg / 2016;

Personal exhibition “Time of the Great Clowning” / creative cluster ART Muse / St. Petersburg / 2016;

Participation in the exhibition “WORKS ON PAPERS” / LONDON / THE BRICK LINE GALLERY / 2016;

Participation in the final exhibition of the contest “The Muse Must Work” / ART Cluster creative muse / St. Petersburg / 2017;

Participation in the Biennale of Contemporary Art / theme “EARTH-CREATIVITY” / FLORENCE / 2017;

Participation in the exhibition "TENDENZE CONTEMPORANEE" / GALLERY MERLINO / FLORENCE / 2017.