Part 5 Louvre – Bernat Martorell -- Saint George dragged to the execution
c.1435, 107х53
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MARTORELL Bernat [Actif à Barcelone, connu à partir de 1427-1452 – Saint Georges traîné au supplice c1435 – Louvre RF 1571 – Don de la Société des Amis du Louvre, 1904 – Département des Peintures
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The palette is dominated by earthy tones – browns, ochres, and muted greens – punctuated by the red of the background and the pinkish hues of some garments. The artist employed a limited range of colors, contributing to a sense of austerity and solemnity. Light falls unevenly, highlighting certain faces and casting others in shadow, which enhances the dramatic effect.
The background is striking. A large, stylized crimson shape resembling a crescent or a distorted sun dominates the upper portion of the scene. This element appears almost abstract, yet it contributes to an atmosphere of foreboding and otherworldly significance. Numerous spears are visible within this backdrop, hinting at impending violence and perhaps symbolizing divine judgment.
The arrangement of figures suggests a hierarchical structure. The central figure’s vulnerability is emphasized by his position on the ground, while those leading him appear powerful and resolute. Their attire – a mix of armor, elaborate headwear, and simple robes – suggests varying degrees of status within their society. The horses, rendered with considerable detail, are integral to the processions momentum and convey a sense of controlled force.
Subtleties in facial expressions reveal complex emotions. While some figures display stoicism, others seem burdened by their task or perhaps even conflicted. This nuanced portrayal adds depth to the narrative, suggesting that the event is not simply a straightforward act of persecution but involves a range of human responses. The overall effect is one of profound suffering and unwavering resolve, hinting at themes of faith, sacrifice, and power dynamics within a societal context.