Music making angel (after Raffael) Franz Ittenbach (1813-1879)

The composition presents a youthful figure, presumably angelic in nature, engaged in musical performance. The individual stands within a cloudy expanse, their feet seemingly suspended above the ethereal backdrop. They are positioned in profile, turned slightly towards the viewer, allowing for a clear view of their posture and the instrument they hold.
Here we see an elaborate garment enveloping the figure; it combines a dark blue upper portion with a flowing red and orange skirt that drapes around their legs. The fabric appears to be caught in gentle folds, suggesting movement or a subtle breeze. A black band encircles the neck, contrasting with the lighter skin tone of the face.
The angel’s expression is one of serene concentration; eyes are closed, and lips slightly parted as if lost within the music they create. The hands delicately manipulate a violin, the bow drawn across the strings in a poised gesture. Wings, rendered in a pale yellow hue, extend from their back, partially obscuring the background.
The color palette is dominated by warm tones – reds, oranges, and yellows – which are juxtaposed with cooler blues and whites of the sky. This contrast creates a sense of depth and luminosity within the scene. The lighting appears to emanate from an unseen source above, casting soft shadows that define the form of the figure and enhance the feeling of weightlessness.
Subtly, the painting evokes themes of divine harmony and spiritual contemplation. The act of music-making is often associated with transcendence and connection to a higher power; here, it is embodied by this celestial being. The closed eyes suggest an inward focus, a state of meditative absorption in the beauty of sound. The overall effect is one of quiet grace and ethereal beauty, inviting reflection on the relationship between art, spirituality, and human expression.