The holy family Franz Ittenbach (1813-1879)

Here we observe a composition centered around three figures arranged within a shallow, arched space. The central figure is a child, positioned slightly above and between two adults – a man on the left and a woman on the right. The child raises a hand in what appears to be a gesture of blessing or revelation; light emanates from this raised hand, creating a halo-like effect.
The male figure stands with his hands clasped in front of him, exhibiting an expression that suggests reverence or contemplation. He is draped in a deep blue robe, which contrasts with the woman’s crimson garment. The woman gazes towards the child, her posture conveying tenderness and devotion. Her hair is elaborately styled, and she wears a modest yet elegant dress.
The figures are seated on a stone ledge that forms the base of the composition. Below them, small animal figurines – possibly rabbits or hares – are arranged in a symmetrical pattern. The background is dominated by a golden glow emanating from behind the child, which creates a sense of otherworldliness and divine presence.
Framing the central scene is an ornate border composed of geometric patterns and stylized depictions of winged figures. These flanking figures are rendered in blue with gold accents, echoing the color scheme used for the male figure’s robe. A decorative band at the bottom includes text that references a Special Easter Supplement and a date from April 1901.
Subtly, the painting seems to convey themes of familial piety, divine grace, and protection. The arrangement of figures suggests a hierarchical relationship – the child as the focal point of devotion and blessing. The use of rich colors and elaborate details contributes to an atmosphere of solemnity and reverence, characteristic of religious iconography. The presence of the animals at the base could symbolize fertility or innocence, further enriching the narrative context within the Easter supplement setting.