C Tresierra – Totems (mouthpainted), De C Tresierra

The composition presents two monumental vertical structures dominating a landscape rendered in broad strokes and muted tones. The foremost totem pole is significantly larger than its counterpart, asserting itself as the focal point through sheer scale. Its surface is densely carved with stylized figures – a prominent avian or anthropomorphic face at the apex, followed by a series of stacked representations culminating in a seated figure near the base. These forms are characterized by simplified features and an emphasis on geometric shapes, suggesting a symbolic rather than realistic portrayal. The color palette for this totem leans towards shades of red, pink, and brown, creating a sense of warmth and perhaps referencing natural pigments used in traditional carving practices.
The second totem pole, positioned further back within the scene, is slightly less detailed but similarly layered with carved figures. Its coloration appears cooler – a blend of blues and grays – which contributes to its receding presence within the pictorial space. The background foliage, loosely defined as a dense thicket of trees, provides a contrasting backdrop that emphasizes the height and solidity of the totems.
The ground plane is depicted with patches of tall grass rendered in yellows and greens, adding textural interest and suggesting an overgrown or untended environment. A subtle horizontal line near the base of the foreground totem may represent a distant horizon or another layer of vegetation. The artist’s use of perspective – the diminishing size of the second totem – creates depth within the composition.
Subtly, there is a sense of mystery conveyed through the obscured nature of the background and the stylized anonymity of the figures carved into the totems. These are not portraits but rather symbolic representations, hinting at narratives or ancestral connections that remain largely inaccessible to the viewer. The deliberate lack of detail in the surrounding landscape directs attention solely towards these imposing structures, suggesting their importance as cultural markers or spiritual anchors within a broader environment. The overall effect is one of reverence and perhaps even a touch of melancholy – a contemplation on traditions and beliefs passed down through generations.